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Streamlined audio productionįlex Time combines elegantly with a complete set of features that transform the experience of editing audio in Logic. Engineers may not want to let musicians know they can change recordings this radically, lest Flex Time become to timing what pitch correction has become to tune. For recording and production workflows, Logic has made this kind of work uniquely accessible, and it can make the edits almost stunningly transparent. Logic is arguably better for subtler adjustments than Live, as Live’s warping is geared for regrooving large blocks of loops and combining them in non-linear ways. Live focuses on mapping the entire tempo of a loop, whereas Logic leaves audio untouched by default. It’s perhaps closest in spirit to Ableton Live ( ), though with important differences. Logic’s implementation takes a little bit of the best of all of these features. But there are certain advantages to being last. Rival technologies from Steinberg, Digidesign, Cakewalk, MOTU, and others have all sought to make molding sound around beats easier. This kind of functionality may be familiar to experienced users of digital audio workstations. (This version also adds Speed Fades, which can simulate the braking of a turntable.) Apple says all of these modes are based on new audio algorithms developed in-house, and the results sound terrific. The Speed mode changes the pitch along with the time, as would changing the playback speed of traditional analog tape. Different modes allow you to ensure the results fit the source material: Slicing and Rhythmic modes preserve the attacks of percussive material, whereas Monophonic and Polyphonic modes stretch the sound. You can change as few or as many points inside a waveform as you wish, whether re-grooving an entire recording or fixing one errant high hat. The effect is addictive and instantaneous the interface never feels like it’s in your way, because you can drag on the waveform directly to warp it. Drag the marker left and right, and the waveform squishes or stretches like Play-Doh. Click a waveform, and you can add a Flex Marker-a pointer to a position in the recorded waveform-which you can move forward or backward in time. Switch to the Flex Time view in the Arrange pane, and blocks of audio become stretchable. Logic Studio’s new Flex Time tool collection combines a new interface designed for making these changes with an under-the-hood engine that can warp sound more convincingly.
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For sound designers, producers, and remix artists, there are creative reasons to want to re-groove recorded audio, as well. That can limit some creative possibilities: even when working with talented musicians, part of a take might be slightly out of time–especially when adding up a day’s worth of different takes. Once recorded, sound traditionally ceases to be entirely malleable: you can slice and reorder sound, but changing its internal timing is more difficult. But those highlights aside, smaller fit-and-finish enhancements are often of equal importance in real-world production. MainStage has grown from a clever way to host instruments and effects to a more mature host, adding integration with other software, as well as playback, looping, and recording capabilities.
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New models of amps and effect pedalboards emulate traditional guitar gear and open up new performance possibilities. There’s an entirely new audio manipulation engine, allowing recorded sound to be reshaped in time. Overall, Apple’s Logic Studio 9 introduces some significant headline features. Deep in that vast suite, though, a single new feature called Flex Time could have the biggest impact on the way you work.
Apple logic studio 2.1 pro#
The new version of Logic Studio incorporates upgrades of the Studio’s traditional suite of applications: the flagship Logic Pro 9 workstation and its instruments and audio effects Soundtrack Pro 3 ( ) for stereo and multitrack recorded audio MainStage 2 for easy access to instruments and effects for jamming and live performance WaveBurner 1.6 for mastering and authoring CDs and Compressor 3.5 ( ) for file exchange. But when it comes to using these tools creatively in music making, a few details and the way they fit together can make a huge difference.
Apple logic studio 2.1 software#
Digital music workstation software can include an encyclopedic array of functionality.